Showing posts with label practicing. Show all posts
Showing posts with label practicing. Show all posts

29 Aug 2019

On Posting Recordings On Facebook

I posted a recording on facebook.

I haven't done this in a long time because of the questions. Every time I think about making a recording public in facebook or on my website, these questions appear in my head like an army of very loud mosquitoes. You've probably never heard them since I'm the Only Musician On Earth With Issues, everyone else looking pretty sane and normal and calm from where I'm standing. If one day, however, you hear this strange buzzing sound approaching you from a distance, you should know what's coming. Here they are.

"Is it good enough?"
It could've been better, you know. The bassline could've been more distinct, better shaped. There was the pedal at the end that I'm not sure about - too much? Too obviously romantic?


"What would Ilmo say?"
Ilmo Ranta is a Finnish pianist and one of the best lied coaches on this planet. He has very high standards that are always just out of my reach. Surely he would cringe at the first bar and make me play it again in a far more imaginative way that made the music shine.

"What if people will think that I'm really proud of this recording and not aware of the shit things?"
I have the urge to post recordings with explanatory essays that detail everything I'm not happy with, so that people would know that I know: "To whom it may concern: I don't claim to be perfect or great by posting this recording. I know the beginning is really quite normal (as in 'not extraordinary in any way') and that the transition on page three is a bit clumsy. I'm also aware of all the unclear left hand stuff that appears throughout the piece. With these shortcomings, your humble servant still has the audacity to offer her recording for the world to hear. Sincerest apologies, Jenna"

"Is it any good?"
This question has a tendency of repeating itself a lot. Usually there are no answers.

"What does this say about me?"

What sort of message am I sending with this particular piece? Have I posted too many pieces like this before - will people think I can't do anything else?


"Can I say I love this piece?"
Admitting that a particular piece is close to my heart - that makes it even worse. If I care about a piece very deeply, I'm supposed to have a Super Interpretation of it. My recording should just Pour From The Heart like little drops of magic gold wisdom and love. Listening to it should be a transcendental experience because of all these emotions that drip from the speakers like nectar. Oh well.

"There are already millions of recordings out there - why would mine be needed?"
Of course it's mainly about advertising myself. I hate that, but it's how it is. The songs are musical calling cards I put out there so people would get curious.


"But why not?"
If I get to this question, I'll post the damn thing. Because why not, indeed. However it could be improved, it is me playing the piano to the best of my ability on that particular day, in that particular space. That is how the song shaped itself in front of me that day, and I felt happy and content travelling through its landscape.


P.S. Us musicians, we face fear all the time. Fear of failure, fear of rejection. We find ways to cope with it and we learn to control it, but let's not fool ourselves by pretending it's not a part of our lives. One way I'm facing my own fears is writing them out for all of you to read - and with that writing process, letting them go. Another great way of letting go is simply focusing on the music. It is why we are what we are, after all.


24 May 2019

On Saying Yes

It's great when people ask you to a gig, recording, rehearsal, anything. It's nice to be asked. It becomes a problem when you already have quite a lot of work, but you think you can manage just this one thing more. And that other thing. And surely you have time for the third if you skip lunch.

It really is very nice to be asked, so yes.
Yes, I'll play the thing.
Yes, I'll learn this in two days.
Yes, of course I'll travel 18 hours for the gig.
Yes, I'll tap dance while playing. Yes, sure.

You have to say yes, or otherwise they will never ask you again and you will die alone and unhappy. You have to say yes, because musicians are supposed to work all day, every day teaching, practicing, performing, marketing, networking, improving, smiling. This is what it is to be a freelancer, it's hard work. If you stop, if you don't keep pushing, you'll be cast aside, forgotten. You're supposed to be stressed all the time and burn out before you're 30.

How great, guys, being a musician is so cool.

The reason I'm ranting about this yes-business is that I am a person who needs holidays. I need time for other things than music Every Single Week in order to remain a functioning human being. I get tired, both of music and of people, and I want to have a life that includes peace and quiet, and things that are not work. So this year I'm learning to say no.

No, I can't come.
No, I need the time to learn all the other things that I've said yes to.
No, I can't transpose this a tritone down just because the key better suits your mood today.
No, I can't do this for so little money. If I spend all my time working for free or for a pittance, I can't pay my rent or buy food.
No, I can't play for a hundred hours without break because my hands and brain need to rest every once in a while. I have already injured my hand once because I didn't have the courage to say when I wanted a break, everyone else seeming fine with the workload.

When I say that I can't/won't do something, I'm often told about all the other pianists who can and will do the thing I've said no to. They can play twenty three hours without stopping - they play every single note from the piece you think requires five hands (and they can do it with just seven fingers) - they never complain about money because they don't care about material comfort, and they sure as hell can sightread every vocal music piece on the planet. And transpose them to any key they like. While reciting a poem in Latin.

I'd love to meet these people. They sound awesome.

To those of you that aren't superheroes, a word of advice: Work the amount that feels right for you, and don't compare. You have to know how much you can cope with, what you're willing to do and for what price, and once you've set your limits, stick with them no matter what other people say. Then go and have days off. Breathe and notice the life outside music - it's worth seeing, I promise you.